Live Model · Visko Orbis

The photographis the first frame.

Direct a real place while it runs. Change the hour, the weather, the crowd and the camera. Orbis carries every change into the live picture at the next chunk, without a cut.

Open the studio See how it works

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A clip is finished the moment it renders.

To make it rain, you render another one. You get another street.

A place keeps running.

So we made rain fall on the street that was already there.

What a clip cannot do

Five moves. One running world.

The Corner · Film and media

Rain on a street that is already running.

Press Rain, then Night. The same taxi, the same awning, the same block. Orbis morphs it at the next chunk.

Real Orbis frames · one session

01 / 05

The walkthrough

Every feature. Filmed live.

Under six minutes through the whole studio on real Orbis sessions: keys, events, voice, hold and resume, cue sheets, Save HD video, takes, a branch played side by side with its original, and a photograph brought to life.

Unedited. Live.

Watch the street change. As it happened.

One live Orbis session, recorded straight from the studio. The cue sheet runs rain, night, a cab, handheld, an empty street and a push in. No cuts, no re-renders, no edits.

Replay a live take in the studio Branch it: what if →

Proof

One take. No cuts.

Real frames from a single Orbis session on The Corner. Rain and night were pressed from the deck. The taxi, the awning and the street stayed where they were.

Orbis frame at chunk 16: Dusk, dry street — **Opening**Dusk, dry street

Orbis frame at chunk 29: Night arriving over the same block — **Opening**Dusk, dry street

1.8s

per Orbis chunk. Every change lands on the next one.

18fps

generated live, delivered up to 4K over WebRTC.

0cuts

from the first frame to the last. One continuous world.

61min

of continuous running per session, if you want it.

The instrument

Direct the world. Never write a prompt.

Continuity compiler

The world is built once.

The opening describes everything. Every prompt after it names one visible change, in physical nouns and verbs.

Chunk timing

Released on the beat.

At most one directive per settle window, so morphs never collide.

Queue

See what is next.

Queued changes replace each other per control. Drop any of them.

Voice

Call the shot.

Say action, rain, night, cut. The world obeys, on the beat.

Branching

Two futures, one street.

Replay a take to any beat, then direct a different ending. Same seed, same past.

Three worlds

Film, retail, robotics.

The Corner, The Aisle and The Bay share one instrument. Your photograph makes four.

Go deeper. Every page stands on its own.

PlacesWatchesThree worlds and your own photograph.TechnologyHow it worksSessions, the compiler and chunk timing.ReferenceDocsControls, shortcuts, takes and self hosting.QuestionsFAQCredits, cuts, photos and more.